Jessica Dickey is an award-winning playwright whose writing was hailed by New York Times as having “freshness, economy, cheeky vulgarity, with a fine measure of poetic insight”, and the New Yorker magazine as “funny, smart, deep and sad”. She recently signed a development deal with ABC and Touchstone (Fox21). Jessie’s most recent play, The Convent, a dark comedy about a group of women who try to live like nuns in the middle ages, premiered Off-Broadway this year in a sold-out co-production with Rattlestick Playwrights Theater, Rising Phoenix and WeatherVane, and is now being developed into a series for Sarah Jessica Parker’s company Pretty Matches. Jessie’s play The Rembrandt (about a museum guard who decides to deliberately touch a Rembrandt painting) had a sold out run at Steppenwolf starring John Mahoney. Other plays have been premiered Off-Broadway in New York and produced around the country — The Amish Project, about the 2006 Nickel Mines school shooting in an Amish community; then Charles Ives Take Me Home, about a violinist father and his basketball star daughter; and Row After Row, a dark comedy about Civil War re-enactors. In television, Jessie recently joined the writers room for Apple TV’s comedy “Physical”, starring Rose Byrne. She is also developing a show with Tom McCarthy’s company, Slow Pony, about young female clergy. Her next world premiere is coming up this season on the west coast: Nan and the Lower Body is a dark comedy about the creation of the Pap Smear and her maternal grandmother (commissioned by Manhattan Theater Club and the Sloan Foundation). Jessie is a member of the exclusive New Dramatists and a recipient of the prestigious Stavis Award.