GREG MATTHEW ANDERSON (he/him, JUDGE BRACK) returns to Remy Bumppo where previous credits include Power, The Best Man, Les Liaisons Dangereuses, Night and Day, The Importance of Being Earnest, Chesapeake, Travesties, Born Yesterday, and Frankenstein. Other Chicago credits include: Arcadia, Death of A Streetcar Named Virginia Woolf, A Doll’s House (Writers Theatre); Red Velvet (Chicago Shakespeare); Twist Your Dickens and Rock ’n’ Roll (Goodman Theatre); The City of Conversation, The Mousetrap, Sense and Sensibility (Northlight Theatre); Sons of the Prophet and Oklahoma! (American Theater Company); and Arcadia (Court Theatre). Television credits include: “Empire,” “The Chi,” “Chicago PD,” “Chicago Fire,” “Betrayal,” “The Playboy Club,” “Underemployed,” “The Chicago Code,” “Detroit 187,” and the pilot, “Matadors”. Film credits include: “Transformers: Age of Extinction,” “The Middle Distance,” “Game Day,” and “Older Children.” Mr. Anderson is a graduate of Duke University’s Department of Evolutionary Anthropology.

EDUARDO CURLEY (he/him, JORGEN TESMAN) is an award-winning ensembleist from Chicago, a play developer, and a music maker. Chicago acting credits include ‘ART’ (Remy Bumppo Theatre Company); A Year with Frog and Toad (Chicago Children’s Theatre); Anna in the Tropics (Remy Bumppo); and Wit (The Hypocrites). Regional acting credits include Marisela Treviño Orta’s The River Bride (American Players Theatre) and Bryna Turner’s At The Wedding (TheatreSquared). Developmental processes include: Gloria Imseih Petrelli’s The Live In(n) (Rivendell Theatre); Nancy García Loza’s RUST (The Goodman: New Stages); Bull (Paramount); and Isaac Gomez’ The Leopard Play, or sad songs for lost boys (Steep Theatre). New media developments include “Hamlet” (Make-Believe Association); “Lake Song” (Tribeca official selection, Make-Believe Association); “Brava” (Make-Believe Association); and The Last Hermanos (A Red Orchid Theatre). Film credits include “Station Eleven” (HBO Paramount). Thank you for supporting live theater — it doesn’t happen without you.

ANNABEL ARMOUR (she/her, MISS JULIANE TESMAN) is a founding ensemble member of Remy Bumppo Theatre Company. She has worked at the Goodman, Marriott, Lincolnshire, Victory Gardens, Chicago, Shakespeare, Northlight, Writers Theatre, Asolo Rep, Cincinnati Play House, Cleveland Play House, and Ford’s Theater and is the recipient of three Joseph Jefferson Awards and seven Joseph Jefferson nominations over… a lot of years. Her film credits include “Contagion,” “Amityville Horror,” “Conviction,” and now the treasured experience of “Green and Gold.”

LINDA GILLUM (she/her, BERTE) has been a core ensemble member with Remy Bumppo for 25 seasons and was the resident casting director 2003-2020.  Favorite roles with Remy Bumppo include “Linda” in Holiday; “Annie” in The Real Thing; “Ruth” in Night and Day; “Zocha” in Our Class; “Anne” in The Father; and “Marlene” in Top Girls. She has also worked with A Red Orchid, Court, Defiant, Lyric, Mercury, Paramount, Roadworks, ShawChicago, Silk Road and Steppenwolf. She teaches at Acting Studio Chicago, Remy Bumppo and is an adjunct professor at DePaul. She is a member of AEA, AGMA, and SAG-AFTRA, has appeared on “Chicago Fire,” “Chicago PD,” “Prison Break” and “Early Edition” and is represented by Stewart Talent.

GLORIA IMSEIH PETRELLI (she/they, MRS. THEA ELVSTED) is a Chicagoland born and based actor, playwright, intimacy choreographer, and community organizer. Recent acting credits include Wish You Were Here by Sanaz Toossi (Remy Bumppo Theatre Company); Iraq, But Funny by Atra Asdou (Lookingglass Theatre Company); A Lie Of The Mind by Sam Shepard (Raven Theatre); her own ‘speechalicious” (A Commission For The Story Theatre); “Mosque4mosque” by Omer Abbas Salem (About Face Theatre); and “Layalina” by M. Yousif Zebari (Goodman New Stages). They are First Floor Theatre’s current Blueprint Commissioned playwright. Gloria’s art is informed and strengthened by the tenacity of her community; please consider a donation to Palestine Legal, USPCN, or Middle East Children’s Alliance. W: TheGloriaImseihPetrelli.com

TRAVIS A. KNIGHT (he/him, EJLERT LÖVBORG) is a Chicago-based actor, director, photographer, and motion capture artist who was named one of the “Players 50 2025” by Newcity Stage. He is a proud member of the artistic ensemble and also serves as associate artistic director at A Red Orchid Theatre. His Red Orchid credits include the world premieres of Levi Holloway’s Turret (Jeff Award nomination – Best Performer in a Principal Role), Grey House, Brett Neveu’s The Malignant Ampersands and Revolution (director); and Small Mouth Sounds. He was the associate director for the North American premiere of Holloway’s Paranormal Activity, directed by Felix Barrett, at Chicago Shakespeare Theater. Additional acting work includes The Crucible (Steppenwolf Theatre Company); Toni Stone, Ah, Wilderness!, A Christmas Carol, The Sign in Sidney Brustein’s Window, Measure for Measure, and Camino Real (Goodman Theatre); How a Boy Falls (Northlight Theatre, world premiere); and Camelot (Drury Lane Theatre). Regionally, he spent five seasons at American Players Theatre and has also performed with Milwaukee Chamber Theatre, Uprooted, Forward Theatre, and Renaissance Theaterworks. His television and film work includes “Chicago Fire,” “Chicago PD,” “Chicago Med,” “Mind Games,” “Runner,” “Henry Gamble’s Birthday Party,” “Survivor, Soldier, Sinner, Savior,” “Rabbit Rabbit,” and “Pornacopia.” He also performs cinematic motion capture for NetherRealm Studios (Mortal Kombat 1) and Raven Software (Call of Duty: Black Ops 7). W: TravisAKnight.com